Milo Kobayashi - I'M UP

I’M UP! - Milo Kobayashi (Rap) Milo Kobayashi joins our blog this week with their latest track “IM UP!” Milo’s track carries forward his dedication to uplifting music. Influenced by Kid Kudi, Milo aims to bring joy into his records with bright and hopeful vibes that make his listeners move. On “I’M UP!”, Milo uses a booming kick and 808 paired with video game sounding synth effects to compliment his lyrical message of a youthful, upbeat worldview—we get a lot of Timbaland’s “Ayo Technology” in this. Positive vibes abound in “I’M UP!” as Milo takes a “like water off a duck’s back” approach to haters and obstacles, stepping into his power and just generally deciding that feeling good about oneself is the best choice you can make in life. The lyrics are full of clever references—harambe!—and the delivery is breezy and conversational, matching the overall theme of the track. In addition to adding this feel good track to your playlists, don’t miss Milo’s live appearance at Animate Raleigh in January 2025.

Best Lyric: “I just smile and mind my business.”

Terra Renae - All I Have

All I Have - Terra Renae (Pop/R&B) This week we are joined by blog newcomer Terra Renae and her new track “All I Have”. Terra intends the track as a powerful anthem of empowerment and resilience, hoping that it will resonate with those facing the challenges of self identity and the journey of self-discovery. She carries this message with a meld of pop and R&B, with a chill vibes intro of drum and bass finally giving way to a rousing chorus of self assuredness. The verses remind us a lot of early Keyshia Cole, giving us that R&B nod that we’re hearing, while the chorus dives right into Top 40 anthem. The sound is rich and full, with a punchy kick surrounded by a droning bass helping support Terra’s velvety alto. “All I Have” is a belt-along kind of number, we recommend shower or car.

The New Citizen Kane - Could Have Been (EP)

Could Have Been (EP) - The New Citizen Kane (Pop) This week we have the privilege to review a collection of Top 40 bops with The New Citizen Kane’s latest EP “Could Have Been”. Sonically cohesive and musically engaging, the EP is one of those “no skips” projects that we are always hungry for. But before we dive into our favorites of the 6 tracks, we’ll start with a bit about our artist.

Singer, songwriter and producer Kane Luke’s latest incarnation was born in 2010 out of London, after parting ways with Milan’s Fuorifase Records. Compared to the likes of George Michael, Depeche Mode and Pet Shop Boys, Kane started his career early, starting on the theater circuit at 17 and eventually recording his first EP “Now Or Never” at 18. A multi-talented artist, Kane’s resume includes modeling, acting and sound engineering. By 2008 he had a club hit on his hands, “Don’t Feel No Shame”, followed by “Spun Like Sugar”. Now rebranded as The New Citizen Kane, he’s been busy with releases including 2014’s album “It’s Not Science…It’s A Feeling” and EPs including “Endless Summer Serenade”.

His latest, “Could Have Been”, is a departure from Endless Summer, taking a more intimate route after a collection of sun-soaked vibes. The lyrics are heartfelt and contain enough specificity that we are sure that Kane writes from personal experiences of past loves and longing. The tracks contain a palpable warmth that distinguishes it from other pop tracks that, while often engaging, can at times feel a bit soulless. More than a performer and beatmaker, Kane is certainly a storyteller.

Despite the former comparisons to retro flavors, “Could Have Been” feels incredibly current, and if there’s any nostalgia to it at all we feel it only goes back as far as say Justin Bieber’s “Sorry” era. The tracks are brilliantly mixed and mastered, and already primed for dance floors before what we assume will be a bevy of remixes. We feel like any of these tracks could pop up on the DJ sets streamed at the gym, or of course in the clubs. Kane sweetens his vocals with a light tuning effect that brings some additional character and distinctiveness to the lines. It feels like it might be a signature for the artist.

Our favorite track was album opener “Could Have Been”, which is just a straight down the middle pure pop gem. From the brilliant lyrics to the driving chords, the track just has Hot 100 written all over it. On “Could Have Been”, Kane delivers a shining falsetto as he reminisces on a love past. The melody is a real ear-worm, which made this track stay with us long after listening.

The cover track on the album “Talk”—originally by Coldplay—is a turned up summer dance floor spinner, making it almost unrecognizable from the original in all the right ways. While Kane might have been trying to get away from the sun-soaked vibes of his prior EP, we think they might have snuck into this track just a little bit—not that we’re complaining. This is a “grab a cold beer and dance at a midday rooftop party” kind of jam.

But just because we focused on the two tracks that stood out to us, that doesn’t mean you should miss the other four. The EP is strong, consistent and delivers with each song.

Tracks:

  • Could Have Been - Radio Mix

  • Forget The World

  • Talk

  • Tonight, Maybe

  • Chasting The Past

  • Forget The WOrld - Red Man Run’s Schitzophonic Club Mix

Livvy Lauren & Maddox Jones - Another Sad Song

Another Sad Song - Livvy Lauren & Maddox Jones (Pop) Today we welcome Kent-based rising star Livvy Lauren to the blog with latest track “Another Sad Song”, which sees her collaboration with Northampton singer-songwriter Maddox Jones, distributed by Radikal Records. What we get is a driving Top 40 ballad that blends Livvy’s soprano and Maddox’s baritone into some beautiful, sing-along-able heartache. From the sorrowful strings to the soul stirring chord progressions, the song hits you in the chest, with a melody that at times gave us moments of Barry Manilow’s “Mandy”. All of this leads to the classic feeling of the song, contemporary yet timeless.

Best Lyric: “I say I’m ok but I fake it.”

Luke French - Raw Talk

Raw Talk - Luke French (Rap) Luke French joins our blog this week with latest track “Raw Talk”, which to us feels like the ultimate tribute to old school hip hop. There’s so much to love about this track, which melds several sounds from yesteryear. First, we’ve got that looped motown sample that reminds us a lot of old Kanye West—the “Through The Wire” and “Slow Jamz” days. A high synth reminiscent of Snoop Dog “Gin & Juice” soars over the production as Luke French hits us with a flow that we’d call a smoother, chiller Eminem. Overall, as a lover of old school hip hop, we think this track is a gem, and our only complaint is with it clocking in at 2:07, we want it to be longer! Guess we’ll have to just put it on repeat.

Best Lyric: “Fuck mistletoe I’ll make you kiss missles.”

Anacy - Tattooed To My Heart

Tattooed To My Heart - Anacy (Pop) We have a new artist on the blog this week—Anacy joins us with latest track “Tattooed To My Heart”. An indie pop artist from Cape Town, South Africa, Anacy aims to bring a unique perspective to her music and is deeply influenced by the cultural tapestry of her homeland and spiritual connection to different cultures. On “Tattooed To My Heart”, a driving kick is accompanied by disco strings and a melodic guitar riff that scream Top 40 anthem. The track is about the surprise of falling in love when you never thought you would. What we find unique about the track is Anacy uses an instrumental that you usually hear on tracks about breakups to make a surprisingly touching love song.

Best Lyric: “I couldn’t imagine ever falling in love.”

colby! - Dead Giveaway (EP)

Dead Giveaway (EP) - Colby (Pop) This week we have the privilege to review the sensational artist colby!’s first EP, titled “Dead Giveaway.” This sonically cohesive album is a master class in songwriting and production, delivering five certifiable Top 40 bops that gave us Billie Eilish vibes the whole way through. With a commanding presence, poetic lyrics and exquisite mixing and mastering, we don’t exaggerate when we say that colby! is a powerhouse destined for greatness. But before we tuck into the project, let’s talk a little about the artist.

Hailing from Forth Worth, Texas, colby! spent her childhood surrounded by live music. At eight, our artist was diagnosed with severe dyslexia, which required three years of intensive therapy to help quiet her mind and help her to read. Through all of this, she clung to creative pursuits, with passions including singing, writing, performing, painting and even baking. She began writing at 14 with brother RJ Johnson—her producer (we see the Billie Eilish comparison is even more apt).

With debut EP “Dead Giveaway”, colby! is recognizing a lack of depth in relationships—be they romantic or platonic. “You’re putting in the effort to keep tings going, but it’s clear the other person isn’t meeting you halfway,” colby! explains, “and they’re unlikely to change.” The logical endpoint becomes ending the relationship and going your own way. Since the release of the first single from the project, colby! has found herself featured on Amazon Music's Breakthrough Pop, sad girl vibes, Hits Different; Spotify's Fresh Finds Pop, Fresh Finds; and Apple Music's INDIY, New In Indie, New In Pop, and New In Alternative.

As to colby!’s goal with her music, it’s quite simple—she wants her fans screaming along in her car and using her music as an escape. What will encourage her fans to do just that is the rawness and passion colby! expresses in her vocal, enhanced throughout by a distress effect that adds a welcome bit of grit to the productions. That grit inhabits the instrumentals as well, which each have a great driving force propelling them along, paired with a 1, 2 “boom, clap” percussion, which itself lends to some anthemic vibes.

Each track is single worthy, which made it really hard to pick our favorite of the collection. For us, “Break Me Twice” wins by a hair, with incredibly compelling lyrics and a passionate vocal delivery rivalling any pop contemporary. The track spins a tail rooted in relationship toxicity, with both parties brewing for an argument and perfectly capable of damaging the other without a second thought. If colby! wants her fans (which we count ourselves among) screaming in the car with her, this is the one.

The most unique of the cuts is another favorite, “Moving On”, which feels pared down in comparison with the rest of the EP, dripping with melancholy about the futility of letting a certain person go—they keep on getting back in line. colby!’s voice sits in an intoxicating reverb paired with a slinky delivery that casts a spell. She’s restrained on this one, the vocals close and intimate. The track is delightfully haunting.

But in all honesty this is a ‘no skips’ project and each song is going to be someone’s favorite. Keep an eye on colby! and RJ, they are ones to watch.

Tracks:

  • Dead Giveaway

  • Gone To Bed

  • Break Me Twice

  • Moving On

  • Doing What I Can

Great Adamz - Love Your Neighbour

Love Your Neighbour - Great Adamz (Afrobeat) We have a new artist on the blog this week—Great Adamz joins us with latest track “Love Your Neighbour.” The track is extremely catchy, and we defy you not to move when you hear this one come out of the speaker. Intoxicating and hypnotic, “Love Your Neighbour” centers afrobeat sounds to create a driving, tribal sound that is elevated by its dark pads creating a real sense of movement with its bass chord progressions. The vocals blend perfectly into the soundscape, sitting even with the instrumentation as if it were just another instrument in the band. More than just a light fair tropical beat, there’s a heaviness to the track that fills the body, the feeling to move certainly comes over you when it hits your ears.

Best Lyric: “She want to ride my moto.”

Funky Blackman - Eternity

Eternity - Funky Blackman (Dance/House) This week, we welcome Funky Blackman to our blog with dance floor spinner “Eternity”, an incantation of a track where our vocalist beckons another to join her in her love. Converging the stylings of house, dance and afrobeat, “Eternity” genre blends its sounds in a way that conjures the image of a group dance around a bonfire. As the hypnotic beat pumps on, our strong female vocal sits front and center—not abandoning melody or lyric for the dance vibe—with beautifully layered harmonies that serve as some excellent ear candy. And while the main track certainly casts a spell, don’t miss the Ethereal Dubby Dub Dub Mix also available.

Best Lyric: “Love will reside wherever I can be with you.”

Moon and Aries - Take Me Home

Take Me Home - Moon and Aries (Pop) It’s been a while since we’ve had Moon and Aries on the blog, so we welcome them back this week with our sixth reviewed track of theirs, “Take Me Home”. There’s always a bit of mysticism in a Moon and Aries track, and this latest track is no different. Our female vocal soars over a lush 80s inspired instrumental, as intoxicating layering creates a dreamy atmosphere. The track itself is about surrender, giving oneself to a lover to let them take control. It’s a patient track, with the steady kick keeping a mid tempo pace that, in conjunction with the other instrumentation, is quite hypnotic. This is a bathtub/glass of wine/candlelight sort of track, and with all that’s going on in the world right now, couldn’t we all use one?

Best Lyric: “We break the clock.“

Shobsy - Champagne

Champagne - Shobsy (Pop/Funk) We welcome Shobsy to the blog with his retro tinged track “Champagne.” This bubbly and intoxicating number is thick with instrumentation—a lush pop/funk number with sweeping retro synths and a plucky guitar supporting a soaring vocal. There’s some 80s vibes here both in sound and structure, and reminds us a little of Snoop’s “Sexual Eruption” when it comes to the soundscape. The track itself is about picking oneself up after a failed relationship, and diving back into the celebration of life. With a groovy backing, this one is certainly a dance floor spinner, and Shobsy’s velvet vocals will certainly call you to the party life.

Anthony Quaid - Do I Scare You?

Do I Scare You? - Anthony Quaid (Pop) Anthony Quaid is serving straight top 40 with latest single, “Do I Scare You?” Anthony’s queerness is fully centered on the track, as he confronts the homophobes and haters, letting them know that their criticism isn’t going to stop him from being who he is. The track has all the makings of a queer anthem, boasting a big production, memorable chorus and beautiful vocal layers. Further, you can tell the song is personal—Anthony delivers this message with his full chest, clearly stepping into his power and taking up space. While the sound is certainly centered in commercial pop, there’s also an almost country-pop feel to the track, maybe it’s Anthony’s vocal delivery, but something about this also feels very Americana, which is a great sonic atmosphere to use for a message typically delivered over clubby dance beats. That’s not to say we can’t hear like a hundred dance remixes of this one.

Best Lyric: “I don’t fucking care what you think when I’m dressing in pink.“

Ats Semaj - Midas Touch

Midas Touch - Ats Semaj (Rap) Ats Semaj is climbing out of the trenches with a firm belief in their own impending success in latest track “Midas Touch”, a record about the ascent of someone with God given talent. While we eventually get our trap percussion production on this car bumpin hip hop number, the synth backing with the reverse/rewind effect gives a melancholy and nostalgic feel to the track—think if a trap beat overlaid Dido’s “Here With Me” or Natalie Imbruglia “Smoke.” It makes for a both complex and lush arrangement as Ats Semaj’s intimate vocal serves as both a boast and almost an internal pep talk—you can almost imagine them using this track as a morning mantra in the mirror to keep their mind on the hustle. Listeners could use it for similar purposes, we think.

Best Lyric: “I got stitches on my heart.“

YayRaven - Good To Go - Crossover

Good To Go - Crossover - YayRaven (Pop) YayRaven is getting all dolled up for the night in latest dance track “Good To Go - Crossover”. On the record, YayRaven describes the process of getting ready to hit the town after a long day of work. The track has a mystical quality to it, with a dance club vibe straight from the late 90s/early 00s—we thought a more mellow kind of Sonique “It Feels So Good.” Heavenly vocals soar above the cavernous production, which eventually veers into an 808-laden hip hop rap feature. Overall, “Good To Go - Crossover” straddles the worlds of pop, dance, R&B and hip hop to create a feel good mid tempo bop.

Best Lyric: “You’re so gorgeous, looking flawless.“

TeeLdub - Time To Shine

Time To Shine - TeeLdub (Rap) This week, we are welcoming TeeLdub to the blog with their latest single and ode to ambition, “Time To Shine.” The record is a real groove, centered on a punchy horn arrangement and boom clap production with some crispy snaps. With a silky female vocal providing the hook, both the instrumental and the rap flows here have some real retro vibes. With tonality reminding us of Juvenile and Big Boy, the rhythms feel similar to those of say Chingy and TI, which places this track right at home in the 00s and 10s. The lyrics are both clever and motivational, and are complemented with a bevy of spoken word ear candy. We prescribe this one when you need a pick me up and a push to strive. This song hypes you up to hustle.

Best Lyric: “Put the work in, stay resilient.“

OLYM - Boys Don't Cry

Boys Don’t Cry - OLYM (Pop) Apparently it’s not just the big girls who don’t cry, as OLYM shows us on latest track, which is his premiere on our music review blog, “Boys Don’t Cry.” However, we learn that OLYM very much does cry on his latest record, as he croons about being opened up emotionally by a lover and the end of their relationship. With a soulful guitar and descending chord structure, OLYM’s track hits you right in your chest as he sings of his newfound vulnerability, which he is thankful for. It’s a great message in today’s climate, considering the recent attention to the dangers of toxic masculinity and emotional suppression often reinforced in our men through societal norms. Not so on this track, as OLYM allows himself to feel his feelings, and pour them out to you.

Best Lyric: “I thank you for the world, a world that is brand new.“